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JS Bach - BWV0056-BWV0060 - Cantata - [FLAC]

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   JS Bach -
BWV0056-BWV0060 - Cantata - [FLAC]
 
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   General Information
 
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  Type.................: Music
  Platform.............: Windows 9x/ME/2000
  File Validation......: SFV
  Image type...........: CD Rip
  
  
  Audio Format.........: Lossless
  Ripper...............: dBpowerAMP Music Converter
  
  
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   Release Notes
 
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  General
  Complete name :
I:UPLOADSJS Bach - BWV0056-BWV0060 
  - Cantata - [FLAC]Bach - BWV0056 - Ich will den Kreuzstab gerne tragen - Solo

  Cantata [FLAC].flac
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
  File size : 74.1
MiB
  Duration : 19mn 16s
  Overall bit rate mode : Variable
  Overall bit rate : 537 Kbps
  Track
name : Bach - BWV0056 - Ich will den 
  Kreuzstab gerne tragen - Solo Cantata (for Bass) for the 19th Sunday after

  Trinity
  Composer : Johann Sebastian Bach
  Conductor : Pieter Jan Leusink
  Genre : Cantata
  Comment : Ich will den Kreutzstab gerne tragen 
  (I will gladly carry the Cross) / / Cantata 56 / / Nineteenth
Sunday after 
  Trinity / Epistle: Ephesians iv. 22-28 (Put on the new man) / Gospel: Matthew ix 
  1-8 (The
sick are healed) / / SIMON CROUCH SAYS: / Rating: 1* / / The opening 
  aria of this great solo cantata is one of
those wonderful examples of Bach's 
  music being perfectly at one with the text. For example, in the opening
phrase, 
  the resolution of a dissonant C sharp to D (in g minor) immediately gives the 
  impression of the
enormous burden of the Cross being lifted with God's help. The 
  cantata goes on, with the familiar metaphor of
life as a journey through 
  troubled lands until salvation is reached in the promised land. Meanwhile a 
 
recitative, complete with "waves" (an allusion to Jesus' boat journey at the 
  start of the gospel reading) leads
on to an aria complete with one of those 
  wonderful oboe accompaniments that so frequenty decorate the cantatas.
I often 
  wonder whether Bach's oboe player(s) appreciated what he was doing for them! To 
  me these
beautiful weaving, sometimes coy, oboe accompaniments are among the 
  greatest jewels that Bach has left to us. As
a flute player myself, I regret 
  that the transverse flute wasn't as widely used then as it soon became. If it

  had, we could have had a few more of these wonderful tunes to ourselves! Another 
  recitative leads to the
final chorale (Komm, oh tod, du schlafes bruder) 
  beautifully harmonised by Bach. 
  Soloists : Holland Boys
Choir / Netherlands Bach 
  Collegium / Ruth Holton / Sytse Buwalda / Knut Schoch / Bas Ramselaar
  
 
Audio
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
  Duration : 19mn 16s
  Bit rate
mode : Variable
  Bit rate : 537 Kbps
  Channel(s) : 2 channels
  Sampling rate : 44.1 KHz
  Bit
depth : 16 bits
  Stream size : 74.1 MiB (100%)
  Writing library : libFLAC 1.3.1 (UTC 2014-11-25)
  
  General
  Complete name : I:UPLOADSJS Bach - BWV0056-BWV0060 
  - Cantata - [FLAC]Bach - BWV0057 - Selig
ist der Mann - Solo Cantata 
  [FLAC].flac
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
  File size : 97.6 MiB
  Duration : 25mn 4s
  Overall bit rate mode : Variable
  Overall bit rate : 544
Kbps
  Track name : Bach - BWV0057 - Selig ist der Mann - 
  Solo Cantata in Dialogue (for Soprano & Bass)
for 2nd Day of Christmas [St. 
  Stefanus Day]
  Composer : Johann Sebastian Bach
  Conductor : Pieter
Jan Leusink
  Genre : Cantata
  Comment : Selig ist der Mann, der die 
  Anfechtung erduldet (Blessed is
the man who endureth temptation) / / Cantata 57 
  / / Christmas Monday / Epistle: Acts vi. 8-15; vii. 55-60
(Martyrdom of St. 
  Stephen) / Gospel: Matthew xxiii. 34-39 (Woe to Jerusalem) or / Luke ii. 15-20 
  (The
shepherds at the manger) / / SIMON CROUCH SAYS: / Rating: 2 / / This may 
  seem a rather serious cantata for a
Christmas Monday but the explanation lies in 
  the coincidence with the Feast of St. Stephen (as recounted in the
Epistle). The 
  theme, celebrating Stephen's sacrifice, is a common one in the cantatas and is 
  told by a
common device, that of the dialogue. Jesus recounts the parable, the 
  soul bemoans earthly suffering, Jesus opens
His arms to the soul, the soul 
  realises paradise through release from this Earth. The end. The cantata 
 
therefore breaks into two parts, before and after redemption and Bach represents 
  this in the music. Before the
central recitative duet which provides the pivot 
  point, the arias are slow and serious and after they are much
more up beat. Of 
  these, the opening bass aria is perhaps the best. The following soprano aria has 
  an
attractive orchestral introduction and the voice part moves along in a style 
  reminiscent of the Agnus Dei from
the b-minor Mass. After the turn, the bass 
  aria is a lively affair and the final soprano aria equally so with a
florid 
  violin accompaniment. The cantata closes with a straightforward setting of a 
  chorale melody that
you will almost certainly recognise! 
  Soloists : Holland Boys Choir / Netherlands Bach 
  Collegium / Ruth
Holton / Sytse Buwalda / Knut Schoch / Bas Ramselaar
  
  Audio
  Format : FLAC
  Format/Info : Free
Lossless Audio Codec
  Duration : 25mn 4s
  Bit rate mode : Variable
  Bit rate : 544 Kbps
 
Channel(s) : 2 channels
  Sampling rate : 44.1 KHz
  Bit depth : 16 bits
  Stream size : 97.6 MiB
(100%)
  Writing library : libFLAC 1.3.1 (UTC 2014-11-25)
  
  General
  Complete name : I:UPLOADSJS
Bach - BWV0056-BWV0060 
  - Cantata - [FLAC]Bach - BWV0058 - Ach Gott, wie manches Herzeleid - Solo 
  Cantata
[FLAC].flac
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
  File size : 55.8 MiB
 
Duration : 13mn 53s
  Overall bit rate mode : Variable
  Overall bit rate : 562 Kbps
  Track name : Bach
- BWV0058 - Ach Gott, wie 
  manches Herzeleid - Solo Cantata [Dialogue] for the Sunday after New Year [2nd 
 
Sunday after Christmas Day]
  Composer : Johann Sebastian Bach
  Conductor : Pieter Jan Leusink
  Genre :
Cantata
  Comment : Ach Gott, wie manches Herzeleid (Ah 
  God, how many a heart-pang) / / Cantata 58 / /
Sunday after the Circumcision / 
  Epistle: Titus ii. 11-14 (Salvation hath appeared to all men) or / Titus iii.

  4-7 (Justified by grace, we are heirs of eternal life) / Gospel: Matthew ii. 13
  -15 (The flight into
Egypt) or / Matthew iii. 13-17 (Jesus baptized by John) / 
   / SIMON CROUCH SAYS: / Rating: 1+ / / This little gem
is a perfect 
  introduction to the dialogue form of cantata. One voice is full of the sadness 
  of this
world, the other full of the message of the consolation of Jesus' 
  sacrifice for us. Each voice represents an
aspect of a single soul. Over the 
  course of the cantata the voice of consolation wins over the voice of sadness
to 
  joyful resignation and anticipation of the world to come. In the opening duet, 
  the soprano sings the
opening verse of a hymn by Martin Moller (Ach Gott, wie 
  manches herzeleid) whilst the bass sings consolation,
paraphrasing the (second) 
  Epistle. The short string introduction to the opening duet demonstrates the 
 
sheer power of Bach to write music that defines a highly charged emotional 
  atmosphere. The following recitative
is an outstanding narration of the Gospel 
  story of the flight into Egypt. In the solo soprano aria, accompanied
by a 
  flowing violin figure, the soul starts to come to terms with its fate and after 
  another recitative,
the cantata is ended with a duet (with a form similar to 
  that of the first verse) of outstanding joy and energy.

  Soloists : Holland Boys Choir / Netherlands Bach 
  Collegium / Ruth Holton / Sytse Buwalda / Nico van der
Meel / Bas Ramselaar
  
  Audio
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
 
Duration : 13mn 53s
  Bit rate mode : Variable
  Bit rate : 562 Kbps
  Channel(s) : 2 channels
 
Sampling rate : 44.1 KHz
  Bit depth : 16 bits
  Stream size : 55.8 MiB (100%)
  Writing library :
libFLAC 1.3.1 (UTC 2014-11-25)
  
  General
  Complete name : I:UPLOADSJS Bach - BWV0056-BWV0060 
 
- Cantata - [FLAC]Bach - BWV0059 - Wer Mich Liebet, Der Wird Mein Wort Halten - 
  Solo Cantata [FLAC].flac
 
Format : FLAC
  Format/Info : Free Lossless Audio Codec
  File size : 39.8 MiB
  Duration : 9mn 45s

 Overall bit rate mode : Variable
  Overall bit rate : 569 Kbps
  Track name : Bach - BWV0059 - Wer Mich
Liebet, Der 
  Wird Mein Wort Halten - Solo Cantata for Whit Sunday [1st Day of Pentecost]
  Composer : Johann
Sebastian Bach
  Conductor : Pieter Jan Leusink
  Genre : Cantata
  Comment : Wer mich liebet, der wird
mein Wort 
  halten (Who loves me, he will keep my word) / / Cantata 59 / / Whitsunday / 
  Epistle: Acts ii.
1-13 (The descent of the holy spirit) / Gospel: John xiv. 23-
  31 (If a man loves me, he will keep my word) / / /
SIMON CROUCH SAYS: / 
  Rating: 3 / / You may think me somewhat harsh in relegating this tiny cantata 
  to
the lowest rating. After all, the opening chorus is quite a pleasant piece 
  with a chamber music feel to it. But,
it must be so, since there is so little 
  material here (around ten minutes with opening chorus, recitative,
chorale and 
  bass aria) and the substantial parts were re-used to much better effect in BWV 
  74. So, pass
over this cantata and go straight to BWV 74. 
  Soloists : Holland Boys Choir / Netherlands Bach 
  Collegium
/ Ruth Holton / Sytse Buwalda / Knut Schoch / Bas Ramselaar
  
  Audio
  Format : FLAC
  Format/Info
: Free Lossless Audio Codec
  Duration : 9mn 45s
  Bit rate mode : Variable
  Bit rate : 569 Kbps
 
Channel(s) : 2 channels
  Sampling rate : 44.1 KHz
  Bit depth : 16 bits
  Stream size : 39.8 MiB
(100%)
  Writing library : libFLAC 1.3.1 (UTC 2014-11-25)
  
  General
  Complete name : I:UPLOADSJS
Bach - BWV0056-BWV0060 
  - Cantata - [FLAC]Bach - BWV0060 - O Ewigkeit, Du Donnerwort - Solo Cantata 
 
[FLAC].flac
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
  File size : 63.7 MiB
 
Duration : 15mn 37s
  Overall bit rate mode : Variable
  Overall bit rate : 570 Kbps
  Track name : Bach
- BWV0060 - O Ewigkeit, Du 
  Donnerwort - Solo Cantata for the 24th Sunday after Trinity
  Composer : Johann
Sebastian Bach
  Conductor : Pieter Jan Leusink
  Genre : Cantata
  Comment : O Ewigkeit, du Donnerwort
(Oh 
  eternity, thou thunder-word) / / Cantata 60 / / Twenty-fourth Sunday after 
  Trinity / Epistle:
Colossians i. 9-14 (Prayer for the increase of grace) / 
  Gospel: Matthew ix. 18-26 (Raising Jairus's daughter) /
/ SIMON CROUCH SAYS: / 
  Rating: 1* / / This cantata is one of those miniature gems that few seem to 
  know
about but once discovered, it is never to be forgotten! There are two duets 
  and two lengthy recitatives finished
off with a chorale. In total perhaps 
  fifteen minutes of music, one third the length of the most substantial
cantatas. 
  But what quality! / / The whole cantata is a duet between Fear (alto) and Hope 
  (tenor) (there
is little relationship to the bible readings of the day). The 
  start of the opening duet immediately lets you
know that we're in for something 
  special: The oboi d'amore's cascading chase after the thudding, rising strings

  and continuo provides one of the best introductions in all the cantatas! This 
  accompaniment continues
over the beautiful duet between alto and tenor. The 
  first of the two recitatives has a wonderful extended phrase
to the word 
  tortures. The second duet perhaps doesn't provide the musical contrast that the 
  words would
seem to require but is still very beautiful. Then a long and very 
  effective recitative leads into the most
astonishing of all the chorales: Es ist 
  genung. Alec Robertson puts it as well as anyone: "…the remarkable
harmonisation 
  of the first two bars still has the power to startle, the chromatic harmonies 
  six bars
before the end, to amaze". Alban Berg uses this chorale in the final 
  movement of his beautiful violin concerto.
I find something about Berg's 
  quotation deeply strange, spooky even, which I can only express by an analogy in

  my own field: A famous mathematician remarked that the occurrence of a recent 
  discovery was as if some
twenty-second century mathematics had dropped through a 
  timewarp into the twentieth. It's as if Alban Berg's
chorale harmonisation had 
  dropped back into the eighteenth century for Bach to use! 
  Soloists : Holland
Boys Choir / Netherlands Bach 
  Collegium / Ruth Holton / Sytse Buwalda / Knut Schoch / Bas Ramselaar
  
  Audio
  Format : FLAC
  Format/Info : Free Lossless Audio Codec
  Duration : 15mn 37s
  Bit rate
mode : Variable
  Bit rate : 570 Kbps
  Channel(s) : 2 channels
  Sampling rate : 44.1 KHz
  Bit
depth : 16 bits
  Stream size : 63.7 MiB (100%)
  Writing library : libFLAC 1.3.1 (UTC 2014-11-25)
  
  General
  Complete name : I:UPLOADSJS Bach - BWV0056-BWV0060 
  - Cantata -
[FLAC]_SFV-BWV0056-BWV0060.sfv
  File size : 1.05 KiB
  
  
  
 
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